Student Research Awards
Student Research Awards Student Research Awards Student Research Awards

Urban Studies students are active researchers, supporting faculty projects or pursuing their own research or creative projects. Urban Studies students have also won multiple awards over the years. Listed below are just a few of the more recent awards our students have won:

Winners of Non-Architecture’s Remote Working Cabin Competition: Ishmam Ahmed, Barnabas Mah, Joy Heng, and Raphael Chang

Ishmam Ahmed, Barnabas Mah (both from Class of 2023), Joy Heng, and Raphael Chang (both from Class of 2022) represented Yale-NUS and The Architectural Collective (TACO) at the international design competition organised by Non-Architecture and won the Remote Working Cabin Competition. Participants had to create a design concept around the themes of nature and remote work.

See their project at: The Ca-bee-n – Non Architecture

Read more about the competition at: REMOTE WORK CABIN – Non Architecture

Honourable Mention at Non-Architecture Amsterdam Cycling Bridge Competition: Ishmam Ahmed, Barnabas Mah, and Dou Jingzhi

The Architectural Collective (TACO) supported Ishmam Ahmed, Barnabas Mah, and Dou Jingzhi (all from Class of 2023)’s entrance in Non-Architecture’s Amsterdam Cycling Bridge Competition. Participants had to design a bridge for both cyclists and pedestrians across the river. The team received one of six Honourable Mentions given out by the organisers.

See their project at: The Floating Chain – Non Architecture

Read more about the competition at: AMSTERDAM CYCLING BRIDGE – Non Architecture

Honourable Mention at Non-Architecture “Healing” Competition: Joy Heng and Raphael Chang

Joy Heng and Raphael Chang (both from Class of 2022) entered an international design competition in 2020 organised by Non-Architecture. The brief was to come up with proposals to create healing cities for a post-pandemic world. They were one of six projects to achieve an Honourable Mention Award.

Full text at https://www.nonarchitecture.eu/2020/09/28/apodcalypse/#lightbox[group-214152]/2/

Bartell Prize: Ernest Tan (Class of 2019)

On 22 February 2019, Ernest Tan (Class of 2019) received the inaugural Bartell Prize awarded at the Kellogg Institute for International Studies’ Human Development Conference (HDC). An Urban Studies major, Ernest was awarded the prize for his capstone research project titled ‘Living Off the Land: Sand Mining, Property Rights, and the Preferential Option for the Poor in Kenya.’ His project focused on the causes of sand mining in a peri-urban village (a hybrid landscape comprising both urban and rural elements) in Kisumu, Kenya, where villagers have been mining sand since 1978. He conducted semi-structured interviews with different members of the community, including villagers, government officials, and community leaders, in which he had a set of predetermined questions but would also allow the conversation to flow organically. Ernest attributes his ability to conduct multi-method research to the interdisciplinary focus of the Urban Studies major at Yale-NUS College.

Full post at https://www.yale-nus.edu.sg/newsroom/19-march-2019-yale-nus-senior-awarded-inaugural-bartell-prize-for-capstone-research-on-sand-mining/

Objectifs Documentary Awards Champions (Emerging Category): Dave Lim (Class of 2019)

The award enables photographers to work on new or existing projects, encouraging them to discover and tell stories about their native communities. It welcomes different creative approaches to non-fiction storytelling, from conventional documentary photography to visual experiments. Dave’s project, ‘Procession’, is a documentary that looks at public religious processions undertaken by two major religious groups in Singapore, Hinduism and Taoism.

Full post at https://www.objectifs.com.sg/docu-award-recipients-2019/

“Yesteryears” – Sean Cham (Class of 2019)

“Yesteryears” captured 50 abandoned and forgotten places in Singapore through a series of in situ self-portraits. The buildings photographed were in different states of ruination, from the crumbling roofs of Istana Woodneuk to the soon-to-be demolished Rochor Centre. These buildings represent the modern ruins of post-independence Singapore, an era that lives not only with progress but also the fleeting ruins left in its wake. In a city that is ever modernising and growing, there is barely any room for the ruin. Buildings that are deemed obsolete will be torn down to make way for something bigger and better. But in the face of the storm called progress, as German philosopher Walter Benjamin expounded in Thesis on the Philosophy of History, it is important to retain our historical consciousness.

“First Storeys” (The Future of our Pasts Festival 2019) – Sean Cham (Class of 2019)

“First Storeys” interrogates the “kampung to metropolis” narrative, focusing on the period of large-scale resettlement in Singapore from the 1950s to the 1990s. Through a speculative theatrical installation, the piece surfaces lesser-known stories surrounding the process of resettlement. The installation was housed in 300 Jalan Bukit Ho Swee, the former Bukit Ho Swee Community Center. This was also the site of the Bukit Ho Swee fire in 1961, a turning point in the housing narrative of Singapore, which left more than 16,000 people homeless.

Read more: https://bakchormeeboy.com/2019/03/05/review-first-storeys-by-sean-cham-the-future-of-our-pasts-festival/,

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